Whitney Eden recently graduated from the Evergreen State College, with a Bachelor of Arts. Her poetry has appeared in BlazeVOX. She’ll be pursing a MFA in New York next year and currently lives in Key West, FL.
rose garden exploring self in world of objects. I’m surprised by ethereal ephemeral touching on day day tax paying points. Means abusing end, get hooked. So, the compromise. But then also the void between buildings and if we get to see thru, the innate dodging, daw-dl-ing, groups of 8 or more, tables with only 1 person, seeing the same person 3x in 5 blocks, speed and its ability to transform (perception), internal space between, never to get out light of day dreams of swimming vs. that man who stares at my ass while driving by and running into small talk dispersed by proximity. I read more philosophy here. Dream/fear isolationist sitting, can’t get back inside of head when performing, try socially acceptable touches. déjà vu need space familial has way of chaos (1+1= 2, but is that really what you want? we need to find a drugstore with a certain lotion and who can forget her shellfish allergy) so cover ears, listen to fans, notice internal rhyme scheme, notice external gee-faw, gee-faw at 8th grade level dream of clean ashtrays, brand new old typewriters, fingers tapping at front, watching with beer and cigarette that tastes like the sea (truly) expansive span, contrasting tall cement structures, finding self in between and wondering place. though alienation came from strip malls, it comes from families.
ferry touch matte, clinging to log. I see memories in topography. Destiny flashes across landscape, internal myopic immediate. I’ll just do it myself. Text (be)comes home, so take all sense, deprived. I think of cats, think of walking steadily, brisk, think of stain holes on skirt, think of the unbearableness of being (with another). Wonder, if patterns break like you wish or shorter into unlikelihood. 5 years: I can now see the tops of buildings and my relationship inside of them.
Your friend with the white shirt Love not common, abstraction of billowy frowns (people that sit in their rooms all night, like a cot or a bed roll) I see lofts, tall windows, strut, bare (why not?) so, it just got too real, toe jam, breathing, coffee breath no more, thinking rather than doing. doing bores. guessing about the space between physical contact (brings lack of guesswork) I work at those abstractions, pillowy walls of assumptions, palpitating fun. A little off kilter, but desired Guess one’s left sticking to postmodernism or sketching (neon installations).
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