Sarah Kelly is a recent graduate from an MA in Creative and Critical Writing at the University of Sussex, Brighton, United Kingdom. She plans to study at the San Francisco Centre for the Book early next year.
modelled
bracket even this
scratch for the tested
and its acute gummed eyes
with sides of linearity
my hair that wired
contentment by
breathe into breadth
modelling a scar
silences the crier
a clean halt
plucks out the lashes
but the simmers
murmur will
sugar thicken
a humid bond
and the straights are broken
with the mud of the fold
parallels
your arms are veined
this we notice when
my arch bends
to test at collapsing
I grow tired talking
over some lines
only lengthening in
brushing above
with the same planned for
with your weight
I am floored
and feel fidgetless
this is adaptability
this is its contain
in a palm hold
loosen and
lift me an inch
lighter as
if to steady
as we sink or
might we
synchronise
in a remould
uniform corrections
nostalgia always brings a muse
this time dresses tighter
clad over commas
in chained calm
practice stride ends
and sepia the strands
melodic string tremors
too tired from marrow weight
these the threads thread
bone brittles when corseted
and fractures without bind to embrace
it is affection
that I leave you be
it is respect
that I have , fear for
this in of a
me stream
needles hang on lines
this cannot make
I fall for
breaking instead
closes the gaps
and the fresh
holds wiser
aired out
skins dry
its not enough
what its could
if that bridge
mended and flesh
knitted tight
your sun strikes
cooler because
of those piercings
beneath bone
that drowning dries
us up over
edges bend with
breaking bent to
sent further brush
over stayed plucked
and suckered in soil of
blue breathes
she chants
is lost in vacuums
that swimming sweetened
wash waves pure mud
smoother graves
how sound drowns
out the dirt
to smother at blame
in sorting of
word-weight for
nets they left
to catch
to save the newer
a heavier fall
gorge out
empties the
land of salted
wastes this dirt
on another tongue
without words to
complain of rain
fall sodden downs
imprinted in copies
of translucence
for catchers
this shades
or away now
the filler in
while I beat edges
to rattle out
a neater sound
and consider
its consume
wet was worn by
the holding
hands gripped
resembles in
the re assembly
of these are
not my names
that turn
an insatiable out
side in
you can sculpt
weather for
we all stand
soaked in a
heavier fall
pad myself
in these outs
to retain an appearance
of shivers which
move quicker
as of hunger than
the knots we stuff
she with pencils
static straw
dripping leaden
pools to Maidus at
gills below
gills that disintegrate at
a rougher touch
pad out or put on
this load
the choice
it keeps you
close in
and smothered
stiff coasts
across elongations
of paralysis
if analysis ought
and neutrality
over could come
washed
lets scar your scars my
neither our navy’s will blue in
compare it is glow
your door stands without frame
and its depth near darker
I know the say
closes tones to shades
but you stand
and with not pale nor
sway can stare
for freeze paints
crumble and scale away
you have my diagonal
lets nail out the texture
she stories she said
for today I would timber
straights
speech loosens
abilities for sewing
straight
so this will be the judges
and who knows
if I wanted
when its lost just
beneath how
the decision makes
in ponds
salivating escapings
bordened by
neons I shy
as signs scream
a blackness sharper
than I could
contain in eyed
glass frames
that pinch behind
cotton my
ears reminding
always the
pinch was for
awareness tests
we place nails under
nailbeds and wince
how many
combinations
control this stitch
I have and build by
blink shafts jar in
this gaze frays
at the edges
at these borders
it was the
shards
that remained