ditch,

the poetry that matters

Sarah Kelley

Sarah Kelly is a recent graduate from an MA in Creative and Critical Writing at the University of Sussex, Brighton, United Kingdom. She plans to study at the San Francisco Centre for the Book early next year.

modelled

 

bracket even this

scratch for the tested

and its acute gummed eyes

with sides of linearity

 

my hair that wired

contentment by

breathe into breadth

 

modelling a scar

silences the crier

a clean halt

plucks out the lashes

 

but the simmers

murmur will

sugar thicken

a humid bond

 

and the straights are broken

with the mud of the fold

 

 

parallels

 

your arms are veined

this we notice when

my arch bends

to test at collapsing

 

I grow tired talking

over some lines

only lengthening in

brushing above

 

with the same planned for

with your weight

I am floored

and feel fidgetless

 

this is adaptability

this is its contain

in a palm hold

 

loosen and

lift me an inch

lighter as

if to steady

as we sink or

might we

synchronise

in a remould

 

 

uniform corrections

 

nostalgia always brings a muse

this time dresses tighter

clad over commas

in chained calm

practice stride ends

and sepia the strands

melodic string tremors

too tired from marrow weight

these the threads thread

bone brittles when corseted

and fractures without bind to embrace

 

it is affection

that I leave you be

it is respect

that I have , fear for

this in of a

me stream

 

  

needles hang on lines

 

this cannot make

I fall for

breaking instead

closes the gaps

and the fresh

holds wiser

aired out

skins dry

 

its not enough

what its could

 if that bridge

mended and flesh

knitted tight

 

your sun strikes

cooler because

of those piercings

 

 

 

beneath bone

 

that drowning dries

us up over

edges bend with

breaking bent to

sent further brush

over stayed plucked

and suckered in soil of

blue breathes

 

she chants

is lost in vacuums

 

that swimming sweetened

wash waves pure mud

smoother graves

how sound drowns

out the dirt

to smother at blame

in sorting of

word-weight for

nets they left

 

to catch

to save the newer

 

 

 

a heavier fall

 

gorge out
empties the
land of salted
wastes this dirt
on another tongue
without words to
complain of rain
fall sodden downs
imprinted in copies
of translucence
 
for catchers
this shades
or away now
the filler in
while I beat edges
to rattle out
a neater sound
and consider
its consume
 
wet was worn by
the holding
hands gripped
resembles in
the re assembly
of these are
not my names
that turn
an insatiable out
side in
you can sculpt
weather for
we all stand
soaked in a
heavier fall
 
pad myself
in these outs
to retain an appearance
of shivers which
move quicker
as of hunger than
the knots we stuff
she with pencils
static straw
dripping leaden
pools to Maidus at
gills below
gills that disintegrate at
a rougher touch
 
pad out or put on
this load
the choice
it keeps you
close in
and smothered
stiff coasts
across elongations
of paralysis
 
if analysis ought
 
and neutrality
over could come

 

 

 

washed

 

lets scar your scars my

neither our navy’s will blue in

compare it is glow

 

your door stands without frame

and its depth near darker

I know the say

 

closes tones to shades

but you stand

and with not pale nor

 

sway can stare

for freeze paints

crumble and scale away

 

you have my diagonal

lets nail out the texture

she stories she said

 

for today I would timber

 

 

 

straights

 

speech loosens

abilities for sewing

straight

so this will be the judges

and who knows

if I wanted

when its lost just

beneath how

the decision makes

 

in ponds

salivating escapings

 

bordened by

neons I shy

as signs scream

a blackness sharper

than I could

contain in eyed

glass frames

that pinch behind

 

cotton my

ears reminding

always the

pinch was for

awareness tests

 

we place nails under

nailbeds and wince

 

how many

combinations

control this stitch

I have and build by

 

blink shafts jar in

this gaze frays

 

at the edges

at these borders

it was the

shards

that remained

 

 

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