Marianne Perron is a graduate of the Concordia English Literature and Creative Writing program. She has published a collection of poetry with Montreal’s With Words Press. Her work has appeared numerous times in Soliloquies Anthology, and she has several poems slated to appear in upcoming issues of PRECIPICe, Crannog, and Headlight.
Marianne is the Editor-in-Chief of the Grasshopper Reads online book review, dedicated to contemporary Canadian literature. She has been known to review films, bars, and poetry, and has a column for the film website Sound on Sight in the works. Her screenplay, La Bonne Soeur, was a finalist in SODEC’s Cours Ecrit Ton Court, and her latest collaboration, Footsies, is scheduled for production in 2010.
Harlot
Julie Ruin died a long time ago.
Secretarial assets silenced
by a friendly revolution.
Hands off.
Kill the lights, jump in, let go.
Dynamite in the lungs.
Love: Melissa, Justine, and Clea.
Discussing the world
in obituary terms
they fall out of dissension
and back in line again.
Upon Seeing Your New Lover at the Symphony Orchestre
Let’s do away with the you
and I.
Intimacy escapes
leaving a vapor
where once trod a horse whip
fast and hard.
Flesh, burned raw.
Smoked
to tender perfection.
Let’s carve
a little closer
to the hip.
Who wants cymbals
and mandolins
the earth’s cropped
right down to the bone
and brittle mistress
always has a simple
face.
Squirrel with Birthday Candle
number seven
gleamed
in his mouth
dripping
icing cake yellow
swirl
of plum delight
on the third step his tethered legs clamp
like a set of squeamish jaws, gnawing
on a limb extended
in birthday greet –
au revoir to sixth year blues –
in fuzzy pink, pearly mouth
tantrum of wishes
don’t let
a good fish
escape
buzz buzz
in my ear, when my neck grows
cold.
I shudder
strings of pearls clench
my skin
drag
the goose bites
masquerade the sound of key.
I want all your secrets
in a comb of golden syrup
I can crystallize,
weave through my hair
until it pinches
on the lip of
secrets
that involve me.
On Color Schemes
oh red,
rot
leaves around your mouth because
it is October
things become
these images
of fire
it is not Osiris, in a tomb of colored floor
it is a splatter of these hands
that are so yellow, wet and tired
like a million tongues
in revolution contre the martyr -
you I watch
with interest