Laila Haidarali was born and raised in Trinidad & Tobago and now lives in Toronto. She is a feminist historian who teaches, researches and writes on the histories of marginalized others including women, immigrants and African Diasporic people. Since emerging through Diaspora Dialogues, Laila’s poetry has been featured in Tok 1: Writing the New Toronto Narrative; Descant; Calabash: A Journal of Caribbean Arts and Letters, Cahoots Magazine and online in Sentinel Poetry. She is currently completing her first poetry manuscript.
the pause before the purpose
hones metallic matter
takes you in the white world
padded perfect cells stripping
life’s slow deposit of age;
the stooping shoulder jostles
the criminal mime
abbreviating all there is to say
little lies i told myself
sold myself saying better days were coming
when the prime already
long ago passed;
careless discovery
wraps its tight sprawl
around the track
buffering the inflamed knee
groin – wherever it hurts
as we pound the long-go-round
racing the minutes
on clocks un-ending knowing never
how close the finish.
Lament
girls go crazy in their heads
rapt seekers troubling the waves
of west indian idiom
droll in their soft leather smiles
speak nothing of love
or false resemblance
to prophets & posers
dark-haired men wringing square
white hands measured & dry
plump-ning pink embryos with ease
mathematical
this madness of girls
contained in the garden
of brown round eyes.
affront
rarely secures my memory
of you, too kind i fear
generous in the brush i draw
filling in indigo auras where
white ice should do
heats up each time i fetch
the moment or slip by
a soliloquy lilac in its dirge
purple when i cross
the other side. hello, goodbye
you fragmented lie.
slice
loss is like that, you know
simple sudden clean
white icing licked from the spoon
a child’s mouth holding all
that can decay
the moment dis-appreciated
later long for more
less than you say now:
this moment all that you can bear
forgotten memory
re-calling the words
i love you: you are gone.
the end-ing for jim
who are you to know me
when i know nothing
of the saviour
who came once twice
the union noted
filigree-ed on an open shelf
the musky scent of autumn
lining
its pretty way
primordial pools & gardens un-tended
yield no mercy
travel in a separate case
we pull & pray
make it
to the end, my beautiful friend.